There was a moment in Andy Cherry’s life when he just wasn’t sure. Fresh out of high school, leading worship at church in the morning and playing music in bars at night, he stood up to sing during a service one morning and something just didn’t feel right.

“I didn't want to be there. I thought, ‘I'm wasting my time.’ And then it just hit me. God was touching people where they were and He didn’t need me to work in their lives,” says Cherry, now 25, newly married to wife Michelle, and poised to release his first LP Nothing Left to Fear on Essential Records, March 6.

“That was the moment where I thought, ‘OK, this is bigger than me, and I'd better get on board. I'd better hold on for dear life and follow wherever God leads me.’”

You’ll sense the musical and spiritual growth Cherry’s been led toward in Nothing Left to Fear, which he created alongside highly regarded producer and five-time SESAC Christian songwriter of the year, Jason Ingram.

Stomping percussion underlines the celebratory refrain of “Rise with a shout, cry out, our God’s alive!” in leadoff single, “Our God’s Alive.” Gentle fingerpicked guitars lead through “Running to Our Savior,” an expression of God’s comfort in the face of loss. And “Nothing to Fear” -- with its refrain of "Why should I worry/ When Your love surrounds me?” -- grounds the album’s overarching sense of the comfort and hope that comes with faith, the knowledge that worry is needless, that God will sustain you.

But Cherry also funneled the struggle and uncertainty that lingers, and the honest questioning that comes with both, into Nothing Left to Fear.

Opening track “City of Light” -- a lush melodic rock anthem -- ended up a treatise to God that asks Him to awaken our hearts and for that to be recognized. It started as the expression of a personal breaking point, when Cherry was confused and lost and needed to be reminded that a new day would dawn. That song and others -- “He Has Done it All,” about how God has made us complete; “Beautiful Morning,” in which Cherry sings, “I need nothing, but Your love” -- aren’t just proclamations of devotion but reminders and sources of comfort to Cherry himself.

To Cherry, there’s strength -- and closeness to God -- in admitting that you haven’t figured it all out. Nothing Left to Fear is his admission, and his invitations to question, learn, grow and worship with him, together.

“The reason I do what I do is because I want to compel people to a deeper walk with God,” says Cherry.

“Through my work in churches, I’ve witnessed people – for whatever reasons – shy away from asking hard questions. I think this hesitancy, or fear, keep them from a closer relationship with God. Through these songs, I hope to help people work around that fear and find the love He intends for each us.”

He continues, “There's an understanding that comes when you start looking at yourself through God's eyes, and when you're finally able to communicate with Him on an honest level I think you're able to see yourself without a filter.”

He finds inspiration toward that intent in the “pretty extensive example of worship music” we have in Psalms. (He takes on a very famous hymn on Nothing Left to Fear -- “Nothing But the Blood” -- repackaging and modernizing it as a propulsive, layered sonic celebration.) Beyond the poetry and praise in the hymn, you also find real struggle -- and real honesty.

“I’m sure we’ve all had moments where we’ve felt like we’ve been attacked; even forsaken,” Cherry says. “The moments where you just want to say, ‘My life is really messed up, and I think You have let this happen to me.’ God can handle that -- He's got really broad shoulders and He handle your honesty and confusion – even your anger. His feelings aren't going to be hurt. He doesn't need us to sugarcoat things because He knows what we’re feeling. So when we dancing around what we're actually feeling towards Him I think we do ourselves a disservice. In my writing and playing, I hope to point people to a broader view of God; to encourage them to dialogue in honesty, like David did.”

[DEPOSIT FILES]

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For your consideration: Fireflight—Artist of the Year.
Imagine. Thanks to GMA’s 2009 Dove Award nomination, thousands of people did. And, frankly, many liked the way it sounded. So what if Fireflight was a modern rock act nominated alongside six of Christian music's biggest giants? The future had arrived. Now, with the release of the band's double-taker of an album, For Those Who Wait, it's time ...for everyone else to catch up.

Granted, the past few years have been a whirlwind. Back when the Floridians launched their Flicker Records debut, The Healing of Harms, in 2006, the versatile quintet rocked two No. 1 radio singles, toured relentlessly, and, best of all, discovered a growing fanbase that reciprocated the band’s passion. Next up, Fireflight’s 2008 sophomore album, Unbreakable. Before the record released, NBC repeatedly used its title track, the lead single, for prime time television promos. The fuse had been lit. As operation Google “Unbreakable” began, the album debuted at No. 10 on Billboard’s Heatseekers chart. One domino tipped another. Fireflight won Taco Bell’s fan-voted “Best of the Beat” contest and then performed at ESPN’s “Winter X Games 13.” As Fireflight logged additional audio exposure on ABC, E! Entertainment’s “Style Network,’ and even SyFy, Christian rock and pop radio fanned its own flames, sending three more Fireflight singles—“Unbreakable,” “The Hunger” and “Stand Up”—to No. 1. Before the smoke cleared, the “Unbreakable” music video logged more than a million plays on YouTube, and the song itself had been confirmed as a future download for the wildly popular Rock Band™ video game.

The table has been set for the highly-anticipated third project, For Those Who Wait. With its stunning new 10-song collection, Fireflight exceeds expectations. As drummer Phee Shorb puts it, “For Those Who Wait sounds as good as I’ve always hoped we could sound.”

Front and center? One Dawn Michele. With all due respect to exceptional peers such as Paramore and Evanescence, not all female lead singers are created equal. Armed with an arresting voice that's drawn comparisons to Joan Jett and The Pretenders’ Chrissy Hynde, Dawn actually makes authoritative gut-rock sound beautiful. And her bandmates? With her every step of the way and, at times, elevating the proceedings. From the moment Fireflight’s new album hits speakers, one thing’s for sure: This is 2010.

While some might speculate the band had a huge recording budget or tapped the talents of an iconic mainstream producer, Fireflight guitarist/support vocalist Justin Cox explains the record’s fuller, more muscular sound is the result of taking a different approach and different equipment into the studio. When the rock quintet—which also features Fireflight founder/guitarist Glenn Drennen and bassist Wendy Drennen (his wife)—reunited with Rob Hawkins (Jackson Waters, Rush of Fools), who also helmed Unbreakable, Justin told the producer he “wanted this album to be way heavier and way bigger.” For much of the recording, Fireflight also switched to high end solid body electric guitars that yield richer tones, and—much to the band’s credit—a superior amplifier known for unforgiving clarity if you make mistakes. “The results were phenomenal,” says Justin with a satisfied smile. “It wasn’t about being as heavy as we could be, it was more about impact and dynamics. Because the soft parts, you just need those to sit back. We wanted this album to sound more epic, to sound like a journey from start to finish.”

An epic journey? In more ways than one. In fact, Fireflight’s first three albums have been a thematic travelogue of sorts. While the band’s debut emphasized resiliency amidst hardship, Unbreakable focused on emerging victorious beyond such difficulty. And For Those Who Wait? “This album is a maturation in understanding that sometimes you don’t appreciate why you’re on the path that you’re are,” Dawn explains. “A lot of times, we get bogged down thinking about things that we’re waiting for. As soon as I get my bills paid, then things are going to be great. As soon as my family member’s not sick anymore, then things are going to be a lot better. And when we do that, we totally miss out on what’s happening in-between now and our goal. God has times of waiting in our lives because He has something for us to learn. Hard things that happen, that throw us off of our plan, become the most important things in our lives because God will take them and use them to shape our character and who we are.”

This insight not only drives the album’s dynamic title track—a defiant rocker which shatters the “Unbreakable” mold—it frames the entire record. “This album is filled with even more personal stories of our own, our families’, friends’, and our fans’,” relates Dawn, who, along with Justin, writes the band’s lyrics. “It’s our lives, our hearts, and our pain just poured out. We worked to take the things that we struggled through and faced to leave a trail of bread crumbs, in hopes that other people would be able to see what we went through and find hope in that.”

With this in mind, Fireflight renders lead single, “Desperate.” Performed with hard-rocking urgency and emotion, the song takes you to the end of the rope and literally demands the only hope there is. For Those Who Wait unveils the band’s thickest groove yet with the song, “Fire in My Eyes.” The instant its steroidic guitars kick in, the operative word is big. And just when you think it’s reached its height, Dawn’s soaring chorus shows you how exquisite powerful vocals can actually be.

Even as Fireflight stakes its most authoritative claim in high-decibel rock, the multifaceted act also renders two masterful piano-based ballads. When Dawn assures us of God’s personal and intervening nature in the strings-enriched “Name,” it’s immediately evident her emotive vocals are equally poignant in an intimate musical framework. Its counterpart, “Recovery Begins,” is an artful vibefest as the band gently invites the Still Small Voice to speak forth.

At a time when countless Americans are struggling with feelings of inadequacy in today’s fragile job market, Fireflight offers the ascending rock track “All I Need to Be” as a prayerful reminder of where a believer’s identity should truly reside. As Dawn explains, many people of faith experience recurring anxiety as they seek God’s will for their lives. Instead of seeing their calling to the Christian life as being definitive, believers often obsess over vocation as a potential calling. Says Dawn, “I went through a time when I was seeking God intensely, asking, ‘What is the path You’d have for me? Where should I go?’ And I felt like He said to me, ‘My path covers the whole world, and I walk in love.’ I felt like what He was saying to me was that as long as I am walking in love and listening for His leading, it doesn’t matter where I go or what I do, that I will have fulfilled His purposes.”

Even as Fireflight wrote the songs for For Those Who Wait, Dawn, who tragically lost a brother during her youth, saw another—Hunter—diagnosed with brain cancer and have to have surgery. “It really was like reliving your worst nightmare, having it come true again,” she says. “I just cried out to God, ‘If we lose him, what will we do? It will destroy my family, because we’ve only barely recovered from the first time.’ And God really impressed upon me that all great people have gone through impossible circumstances. But it’s those things that have defined their character and made them who they are now. That helped me to have faith and to have strength to make it through that whole situation, and now Hunter’s doing wonderfully.” Dawn echoes this insight as she sings, “I'm not what I have done/I’m what I’ve overcome,” in the moody yet explosive modern rock standout, “What I've Overcome.”

“We pray earnestly that God will give us good songs that will be able to help people,” she says. “And He’s come through for us, especially in our weakest moments. That’s when we’ve really gotten the best stuff.” This awareness of God’s magnificence amidst personal weakness is a defining trait for Fireflight. It not only frames the band’s songwriting, it empowers Fireflight’s rejection of “rock star” entitlement and enables genuine relationships between the group and countless fans. “We work collectively as a band to answer every MySpace and ShoutLife question we get,” says the lead singer. “We believe first and foremost the Christian faith is relational. We try to show people God’s love, and you just can’t do that unless you care about them.” This manifests itself most directly as the band proactively interacts and prays with fans who “need to talk” after concerts.
In the most urgent cases, Fireflight connects its fans with ministry partners such as To Write Love on Her Arms, which helps individuals struggling with self injury, depression and addiction, and Dawson McAllister’s HopeLine, which gives life guidance to teenagers and young adults. In fact, in a highly unusual move for a band, Fireflight recently took a hope coach from Dawson McAllister’s team out on tour for its fans’ benefit.
Beyond immediate relational needs, Fireflight also flexes its muscle in far-reaching compassion and justice efforts. Explains Dawn, “We’re passionate about helping people both in America and in developing countries, where just a little can do so much. Jesus was extremely interested in the orphans, and the poor, and the widows. That was such a big part of what He did and what He emphasized to Christians, what they needed to be doing. As a result, Fireflight’s work includes a focused partnership with The Legacy of Hope International, a ministry committed to serving the most immediate needs of Cambodia’s poorest children.......


Tracklisting ::

[DEPOSIT FILES]

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Kutless is a Christian rock band from Portland, Oregon formed in 1999. Since their formation, they have released six studio albums including their latest, Believer. The band has also released a live album, Live from Portland. Currently, they have sold almost 2 million records.

Formed in Portland, Oregon as a Campus Worship band named Call Box. They performed during the 1999-2000 school year at Warner Pacific. Their first guitarist, Andrew Morrison, decided to leave the band shortly before they signed with BEC records. James Mead replaced Andrew at lead guitar. The Band changed their name to "Kutless" in October 2001 before releasing their first three track EP followed up by their full-length album in 2002 on BEC Recordings. Kutless chose their name because of a specific Bible verse. Romans 6:23 says, "For the wages of sin is death, but the free gift of God is eternal life in Christ Jesus our Lord" (NRSV). Because of this, the band says, "He took our cuts for us... leaving us 'Kutless'. Their first single was called "Your Touch." Their second single from their debut album, "Run," would go on to hold the record for the longest charting song in the history of the R&R Top 40 charts.

Kutless got their big debut between February and April 2003 when they opened up for Audio Adrenaline and MercyMe, two famous Christian bands at that time.In 2004, after releasing and selling over 250,000 copies of their second full-length album, Sea of Faces, Kutless would go on their first headlining tour, X 2004. That same year, Kutless was slated to perform at the 2004 Summer Olympics in Greece, but could not make it due to the airline canceling their flight. In 2005, Kutless played a Katrina Benefit Relief Concert in their hometown of Portland Oregon. They also released their first worship album, "Strong Tower." After recording but before release of "Strong Tower," bassist Kyle Zeigler and drummer Kyle Mitchell left the band to form VERBATIM Records, a nationally distributed record label based in the Portland, Oregon area. They were replaced with bassist Dave Luetkenhoelter and drummer Jeffrey Gilbert, who both came from the recently broken-up Christian rock band Seven Places. Kutless also went on the Strong Tower tour that year. Later in 2005, Kutless began recording their fourth full-length album. The album, "Hearts of the Innocent," was released on March 21, 2006. The band followed up with a tour, also featuring Stellar Kart, Disciple, and Falling Up.........

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Scars & Stories was recorded beginning in March 2011, and concluded in July 2011. Unlike their debut album How to Save a Life and their self-titled second album, which were both produced by Aaron Johnson and Mike Flynn, their third album was produced by Brendan O'Brien. During a performance at the Hard Rock cafe in Boston, Massachusetts, Isaac Slade stated that the album Scars & Stories was named after a B-side that did not make it onto the third record. He went on to explain that each of the band members have been through a lot of hardships, but collectively they were able to pull through.

"We've been through a lot of stuff personally, and as band we're still together, and I think we like the idea of scars you know, because they're healed you know. They are not like wounds necessarily, but they're still kind of a road map of where you been, and sometimes kinda point to where you want to go."

The album artwork was revealed on November 16, 2011; following the video premiere of the first single, Heartbeat.

The album was made available to pre-order on October 18, 2011 on the band's website. On December 20, 2011 the deluxe edition of the album became available for pre-order on iTunes, featuring 5 bonus tracks; all covers. In addition, the band made the single "The Fighter" available for download.

Writing and Recording ::
During an interview with Vevo the band revealed that they used part of the album's budget to travel and see the world before writing and recording songs for Scars and Stories. The band wrote over 70 songs, and narrowed it down to what they hoped were the [best 12 songs], most of which were heavily influenced by their travels abroad. For instance, the first single "Heartbeat" was inspired by a trip to Rwanda. Slade talked about his encounter with an expatriate women who was talking about the genocides in Rwanda. In the midst of their conversation she held his hand, and he could feel a pulse, but was unable to tell if it was his pulse or her's.

Also the song the sixth track titled "1961", personifies the Berlin Wall, as two brothers that are at odds with each other:

"We wrote that song about The Berlin Wall and the division it represented in regards to one unified city becoming two cities still under the covering of a country. They're both German, but in a sense, they were as far from each other as they could possibly be. I think that's how our relationships can be sometimes. Not to sound cliché, but we all as people build these walls that don't really come down until someone comes into our lives, tears them down, and says, "Enough!""

In addition the eight track on the album titled "Munich" follows the same mode of inspiration, as it is inspired by a particle collider in Switzerland. During an interview Slade mentions that "...they're looking for the God Particle, basically, the particle that holds it all together. That song is really just about the mystery of why we're all here and what's holding it all together, you know?"

Joe King explained "You pull from different locations and places. There’s the cultures and the different people you meet living life...You have to live life, you have to have experiences in order to be able to write stories.” Such stories served as the inspiration for the tenth track titled "48 To Go". During an interview with Jim Shearer on VH1's Big Morning Buzz Live Slade revealed that inspiration for this song came from a road trip he and his wife, Anna took (while they were just dating) from Denver, Colorado to Los Angeles. During the road trip they stopped multiple times to "make-out"; as a result they became lost and ended up 600 miles off course; as Isaac Slade put it "...[we were] two states in and forty-eight states to go".

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Bubbling with groove and overflowing with beautifully crafted lyrics and tongue & cheek moments, Rachel Chan delivers a record for summer days of reflection on God and life through the innocence of a teenager. The sixteen-year-old daughter of author, speaker Francis Chan, Rachel demonstrates her own depth and maturity through her writings such as “As Close” and “You Must Love Me”… and her playful, yet honest, tune “Prove It” with a guest “rap” from her own Dad, Francis Chan. With ten new songs fit for radio Disney, will have young people falling in love with their Savior and finding where they stand on many issues such as dating and self image..............

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The band began when David Crowder, from Texarkana, Texas, realized that almost half of the students at Baylor University were not attending church. Finding this very surprising, since it is a Christian university, he and Chris Seay started University Baptist Church (Waco, Texas) in 1995 while he was still a student. Crowder led worship there and continued to do so throughout the year. The church's congregation grew, as did the band's lineup.

Crowder began writing songs to incorporate into the worship times at the church and eventually the church released an independent CD, Pour Over Me, followed by All I Can Say in 1999. These CDs brought the band to a wider audience and invitations to festivals and events followed. The band was signed to sixstepsrecords/Sparrow Records and has released six more albums to date (see discography). The band tours the United States continuously, but make it back to their home church in Waco, Texas relatively often. It has been said[by whom?] that Kyle Lake, University Baptist Church's former pastor and also longtime friend of the band, had a strong influence on the band's music in terms of content and inspiration both during his life and after his death.

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Six years after her previous release, Amanda Stott is emerging with a new album and a fresh focus with "Place to Start Again." Growing up on her family’s farm in Brandon, Manitoba, Canada, Amanda was constantly surrounded by the sounds of music. She grew up singing in her local church, and is excited to have her new project “Place to Start Again” reflect the faith that has inspired her since she was a young child. “My faith is the reason I sing and it’s exciting that God has opened the doors for me to write and perform music that conveys my heart.” After a successful country self-titled debut release in 2000 on Warner Music Canada, followed by her sophomore pop release “Chasing the Sky” in 2005 on EMI Music Canada, Amanda has taken creative control with this new project and is releasing it independently.

The journey for this album began when Amanda stepped out in faith and moved to Nashville, TN, where she had the opportunity to work with many talented and gifted songwriters within the music industry. She has co-written all 8 songs on this latest release, working with fellow songwriters, Brian Hitt, Phillip LaRue, Dustin Burnett, Shelly Johnson and LA based songwriters Billy Pace and Lindy Robbins. "I have been so blessed to be able to learn from and work with such gifted people."

Amanda has drawn inspiration for her songs from her own life experiences. From the loneliness of moving 27 hours from family and friends, to experiencing God's faithfulness after losing most of her belongings in an apartment fire, to knowing and discovering God’s unconditional peace and rest. The groundwork for “Place to Start Again” was Amanda’s voice, piano and strings. “I have always loved the powerful combination of piano and strings and really wanted that to be the musical foundation for this album”.

Amanda worked with Nashville based producer, Brian Hitt (High Flight Society, David Doss Band, Dub Pierce). “I really felt like Brian embraced this album and captured the vision I had for it like it was his own…we had an incredible time recording this project.” Along with touring Canada extensively in the last 10 years, Amanda has also had the opportunity of lending her voice to 3 oversees tours performing for Canadian Troops. “I count it an amazing privilege to entertain the people who are fighting and sacrificing daily for our freedom."

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Website | Lyrics | iTunes

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"WOW" is a series of annual compilation albums featuring contemporary Christian music. Originally simply called "WOW" immediately followed by the coming year, a change to "WOW Hits" followed by the coming year was made when the "WOW" brand was extended to include the additional collections mentioned below. The WOW franchise represents the most successful collections of Christian music ever issued.

Released in late 1995, "WOW 1996" was the first in the WOW series and the first recording put together by the three major Christian record companies of the time: Word Records (now Word Entertainment), Sparrow Records (now part of EMI Christian Music Group), and Reunion Records (now part of Sony's Provident Label Group). Still today, after each submitting label agrees to a reduced master royalty, the final decision on the tracks to be included is made by committee. Production, marketing, and distribution for the "WOW Hits" series is handled by EMI Christian Music Group.

Comprising songs submitted by each partner label, the annual "WOW Hits" releases have typically been double CD sets. Beginning in 2008, however, "WOW" began releasing separate single-disc collections spread throughout each year, rather than a two-disc collection toward the end of each year. In addition to "WOW Hits," which focuses on the most popular pop and pop-rock music, plans call for edgier single-disc "WOW Rock Hits" and "WOW Pop Hits" collections released twice a year.........

Website | Lyrics

[CD1] [CD2]

OR

[CD1 & CD2]

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Live at Gray Matters is a series of digital-only EP releases by Christian rock act Jars of Clay. The premise of the series is for each release to have a theme and each contain around 4-5 tracks. The songs featured on the EPs were recorded in an informal setting at the band's own record label, Gray Matters, and contains little to no editing of the tracks. A video accompanies each EP that shows the band performing the tracks. The cover of each recording features an identical photograph, varying only in background color.

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Newsboys are a Christian pop rock band founded in 1985 in Mooloolaba, Australia. They have released 14 studio albums, six of which have been certified gold. Currently, the band consists of lead vocalist Michael Tait, keyboardist Jeff Frankenstein, guitarist Jody Davis, and drummer Duncan Phillips.

On 5 January 2009, Colman announced he would be leaving The Newsboys to return to his solo projects. At the same time it was announced that Davis would return to the band, after a 5 year hiatus. “I am thrilled to be returning to the band and back with my bandmates, who are some of my best friends,” says Davis, “this is a big change in my life, and I’m looking forward to the tour and new record with excitement.”

In 2009, it was announced that Furler, having toured with The Newsboys since the band's inception, had decided to step back into a support role and would continue as the band's primary songwriter and producer. Because of this, a replacement lead vocalist was required so the band could continue touring. On 9 March 2009, it was announced that Michael Tait, formerly of dc Talk, would be the new lead singer. "Michael Tait will be touring with the band as lead singer with Peter making special appearances throughout the year. Peter will continue with the band and his trademark songwriting and production will remain as he focuses his professional career toward future Newsboys recordings." On 17 March, Tait performed his first full concert as lead singer in Highlands Ranch, Colorado.

The Newsboys released the studio album In the Hands of God on 5 May (on Inpop Records) with Max Hsu (Superchick and tobyMac) producing the album. Long-time collaborator Steve Taylor co-wrote all the songs and sang on one song. During their 11 September concert in Orlando, Furler announced that this would be his final guest appearance with the band.

The Newsboys' latest studio album, Born Again, was released on 13 July 2010 and debuted at No. 4 on the Billboard 200"Newsboys Album & Song Chart History". billboard.com. Retrieved August 21, 2011. , their highest debut position, and sold over 45,000 copies in its first week. On 12 October 2010 they released the Christmas album, Christmas! A Newsboys Holiday. In 2011, the song "City to City" from GO Remixed was featured in the trailer for the Disney Pixar movie, Cars 2.

Newsboys announced they are recording a new worship album for 2011 on their website. It's title is God's Not Dead and is due November 15, 2011.............

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"WOW" is a series of annual compilation albums featuring contemporary Christian music. Originally simply called "WOW" immediately followed by the coming year, a change to "WOW Hits" followed by the coming year was made when the "WOW" brand was extended to include the additional collections mentioned below. The WOW franchise represents the most successful collections of Christian music ever issued.

Released in late 1995, "WOW 1996" was the first in the WOW series, and the first recording put together by the three major Christian record companies of the time: Word Records (now Word Entertainment), Sparrow Records (now part of EMI Christian Music Group), and Reunion Records (now part of Sony's Provident Label Group). Still today, after each submitting label agrees to a reduced master royalty, the final decision on the tracks to be included is made by committee. Production, marketing, and distribution for the "WOW Hits" series is handled by EMI Christian Music Group.

Comprising songs submitted by each partner label, the annual "WOW Hits" releases have typically been double CD sets. Beginning in 2008, however, "WOW" began releasing separate single-disc collections spread throughout each year, rather than a two-disc collection toward the end of each year. In addition to "WOW Hits," which focuses on the most popular "lite" pop and pop-rock music, plans call for edgier single-disc "WOW Rock Hits" and "WOW Pop Hits" collections released twice a year..........


Tracklisting ::

Website | Lyrics

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